#Jesus keep me near the cross organ series#

#Jesus keep me near the cross organ series#

SERIES OF HYMNS FOR CHRIST, HYMNS FOR PRAISE, GOSPEL, WORSHIP. OPIYO IN 2020 - DAR ES SALAAM - TANZANIA.ДЄSUBUHI - LORD, IN THE MORNING - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z OPIYO - CHRISTIAN HYMN ASUBUHI - LORD, IN THE MORNING - ORGAN INSTRUMENTAL - ORGANIST: ASUBUHI Z OPIYO - CHRISTIAN - HYMN - ADVENTIST - SDA - PERSPECTIVE - MUKTADHA WA KI- SABATO - VIDEO BY - GRACIOUS MORNING STUDIO (GMS) DAR ES SALAAM -TANZANIA. OPIYO - CHRISTIAN - HYMN- ADVENTIST - SDA - PERSPECTIVE - MUKTADHA WA KI - SABATO - VIDEO BY - GRACIOUS MORNING STUDIO (GMS) - DAR ES SALAAM - TANZANIA. OPIYO TUMWIMBIE MKOMBOZI - O FOR A THOUSAND TONGUES - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. TUMWIMBIE MKOMBOZI - O FOR A THOUSAND TONGUES - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. MFULULIZO WA NYIMBO ZA KRISTO, NYIMBO ZA SIFA, INJILI, IBADA, SHUKURANI, FARAJA. OPIYO IN 2013 - MOUNT BALILI - BUNDA - MARA - TANZANIA WITH THE SERENGETI PLAINS IN THE BACKGROUNG. OPIYO - CHRISTIAN - HYMN - ADVENTIST - SDA - PERSPECTIVE - MUKTADHA WA KI - SABATO - VIDEO BY - GRACIOUS MORNING STUDIO (GMS) - DAR ES SALAAM - TANZANIA. OPIYO - HYMN YESU, NAKUPENDA - MY JESUS, I LOVE THEE - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. YESU, NAKUPENDA - MY JESUS, I LOVE THEE - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. OPIYO IN 2010, MIKUMI WILDLIFE NATIONAL PARK, MOROGORO, TANZANIA. OPIYO - CHRISTIAN - HYMN - ADVENTIST - SDA - PERSPECTIVE - MUKTADHA WA KI- SABATO - VIDEO BY - GRACIOUS MORNING STUDIO (GMS) DAR ES SALAAM -TANZANIA. OPIYO BWANA NI MCHUNGA - THE LORD IS MY SHEPHERD - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. OPIYO IN 2013 - MOUNT BALILI - BUNDA - MARA - TANZANIA.Д«WANA NI MCHUNGA - THE LORD IS MY SHEPHERD - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. OPIYO USINIPITE MWOKOZI - PASS ME NOT, O GENTLE SAVIOUR - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. USINIPITE MWOKOZI - PASS ME NOT, O GENTLE SAVIOUR - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. MFULULIZO WA NYIMBO ZA KRISTO, NYIMBO ZA SIFA, INJILI, IBADA, SHUKURANI, FARAJA NA MATUMAINI! OPIYO - CHRISTIAN - HYMN - ADVENTIST - SDA - PERSPECTIVE - MUKTADHA WA KI - SABATO - VIDEO BY - GRACIOUS MORNING STUDIO (GMS) DAR ES SALAAM - TANZANIA. OPIYO MSALABA WA YESU - JESUS, KEEP ME NEAR THE CROSS - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z. It could also be used as instrumental music preceding Communion, such as in a handbell arrangement like вЂњNear the Cross.MSALABA WA YESU - JESUS, KEEP ME NEAR THE CROSS - ORGAN INSTRUMENTAL - ORGANIST - ASUBUHI Z.

This hymn is perfect for a contemporary or blended worship service, as it fits well with modern songs such as вЂњThe Power of the Cross,вЂќ as in the choral arrangements вЂњNear the Cross,вЂќ or вЂњKeep Me Near the Cross,вЂќ both of which can be accompanied by piano alone, or with optional instruments. This hymn is best suited to Lent or Holy Week. If it is too fast, it sounds like a dance, which is not appropriate to the theme of the text, but an excessively slow tempo is depressing, while the text gives hope. This tune should be sung at a moderate tempo. The stanza and the refrain are in two phrases each, clearly marked by the ending long notes. He wrote the tune in 1869 and it was first published with the text in Bright Jewels. Doane, who often collaborated with Crosby, is the composer. The tune for this hymn was actually written before the text, but it was named after the text, NEAR THE CROSS. The third stanza is a prayer that the Christian would always remember God's love as shown on the cross, and the fourth looks forward to heaven. The first stanza describes redemption through Jesus' blood, and the second, the need of humanity for salvation. Each stanza has a slightly different aspect of the main theme. The first line of each stanza contains the phrase вЂњnear the cross,вЂќ emphasizing the value of Christ's redeeming work there. The fourth stanza (вЂњNear the cross I'll watch and waitвЂќ) is occasionally omitted. Crosby wrote four stanzas and a refrain, which most hymnals have kept. The text and tune were published together in Bright Jewels for the Sunday School in 1869.

In 1869, Fanny Crosby was shown a tune by William Doane, for which she wrote this text.